Posts tagged Vol. 3 Issue 1
Preserving Identity

What would happen if a natural storm wiped out the heart of a city? How would the identity of a  community remain intact if vital parts of it are destroyed? These are questions that the Madison County Archives prepares to answer with every property deed, court record, and legal notice that is carefully preserved on its shelves. “You could re-create local history with the files we have,” Archivist Thomas Aud tells me from his seat in the Archives atrium.

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The Our Jackson Home Poetry Collection: 2015-2017

Since the conception of our journal in 2015, we have had the honor of featuring a new local poet in each of our issues, allowing them to creatively respond to the theme given. Today, in honor of World Poetry Day, we share our full collection of poetry from 2015 to 2017 and encourage you to enjoy and reflect on the following pieces.

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Visual Dialogue

Professor Haelim Allen’s office, like the rest of the art department at Union University, is in beautiful disarray. There are paintings on the walls, half-completed sketches on her desk, various models in differing states of completion on a bookshelf, and of course a second bookshelf overflowing with literature that seems a staple of every teacher’s office. Just outside of her office door is a gorgeous light box which fills the hallway with a sense of peace and calm. The building itself is not by any stretch beautiful, but Professor Allen has transformed her office and the hallway leading up to it into a peaceful, welcoming environment.

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At Your Service

On Sunday afternoons when I was young, my grandparents and I would drive south from church on the 45 Bypass and inevitably come to a stop at the red light at the bottom of the Hollywood Drive exit ramp. I would be in the backseat of my grandfather’s Oldsmobile Cutlass Supreme. I could barely see out of the window, but my eyes would always be drawn to a sticker on the light pole next to the intersection. On the sticker was the head of the Atlanta Braves mascot from the early 1980s: Chief Nok-A-Homa.

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A Conversation With: Colton Parker

Jackson’s musical dichotomy has had a strange, often polarizing environment for musicians to grow in over the last decade. Often touted as the bathroom break between Memphis and Nashville, Jackson—with the exception of Carl Perkins’ aeonian influence on rockabilly—is not critically recognized as a musically significant city. To say that Jackson is part of a bigger delta blues triangle would be more plausible. Music scenes are often planted in Jackson but never seem to flourish.

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