Iron City, Tennessee sits just north of the Alabama border, tucked right at the bottom of the state line. As its name suggests, the town is tough; its history marked with rebellion and anarchy in a setting that brings to mind Jason Isbell’s “Decoration Day” — a song rife with generational violence, a southern-fried version of the Hatfields and McCoys.
Cody Stooksberry was born and raised in Iron City and describes his hometown as “a town that’s known for being a little outlaw.”
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Music is something that has forever been woven into the culture of Jackson. While Carl Perkins and the Rockabilly sound are what most people think of first, that staccato rhythm and piano twang is only a part of what Jackson’s music scene was and is. The musical talent that Jackson has produced — from Full Devil Jacket to Erin Rae to LOLO — is as diverse as the community. The problem, though, is that Jackson never had an infrastructure to develop that talent. At least not until now.
Read More“Float like a butterfly, sting like a bee.”
Muhammed Ali made that phrase famous. In many ways, Ali changed the national perception of boxing by adding fluidity, grace, and artistry to a sport that had long been dominated by fighters who relied on heavy-handed brute force. That famous quote is longer than those eight words, however. There’s a second part that has fallen away over time.
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A cage is not a place of comfort. It is a place that confines and holds and traps living things. Its steel is unforgiving; the metal shaped to imprison. In professional and amateur fighting such as mixed martial arts or kickboxing, cages are used symbolically. Two men enter as equals, but one leaves a winner and one leaves defeated. Though cages made for fighting do not hold anyone against their will, they can be just as uncomfortable and unforgiving to the people fighting inside.
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